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Happy Thanksgiving Everyone!

Othello - Part Cinco

The ending of Othello was quite fast and semi-dramatic.
At first, the fight between Roderigo and Cassio confused me, I wasn't sure who got stabbed and who died. This fight scene seemed silly. It was so dark, that Cassio could not see Iago simply come by and pierce him. It would be a totally different scenario if this scene involved sniper shootings, yet Iago just glides on by and pokes Cassio's leg. It takes some time to stab someone, take the blade out and dart away to hide. Why does Iago take Bianca under arrest? She's just a prostitute that wants someone to love her. Yet, he chastises her, but he actually secretly is civil with her, since he went to her house for dinner. So Iago is the total back stabber in this whole play. He is the one that should not be trusted at all.

When Othello prepares to kill Desdemona, she awakens. He allows her to repent, which may show some love and forgiveness on his part. I don't see that though. He is ruthless by smothering her to begin with. He allows her to repent just for his amusement, not because he is simply Catholic. Yet again, he probably does show some affection to her since, she isn't completely killed. She rises from her death, which seems comedic. She cries out to Emilia. Othello is strangling his wife, and finally some heroic gesture was introduced. Emilia calls out for help, but in the end, her attempt to be Desdemona's true friend and savior ends when she is stabbed by her husband. So much for husbands, huh? During this time, women were considered inferior, so why did Shakespeare have the need to kill or torture all the women? What happen to Cassio? If this was a tragedy, everyone should have died. Cassio should have bled out profusely from him gushing leg wound. Or at least, have it amputated or something. And what happens when Lodovico, Montano and Graziano witness Emilia's death. Why couldn't Othello been the person who killed Iago? Why does Iago get away? Why is he the center of this play?

He doesn't do anything, but he succeeds in screwing everyone over by letting others act on their will and by him using his words to manipulate people. Iago is ruthless. Everyone dies, so is that what he wanted in the end? He cared less about his own wife? His own wife helped him out, and he ends up killing her.

At the end, Iago's character comes to a halt. He is trapped and he no longer can use his words to pull him out. Hopefully, Montano does something severe to Iago. He needs something to use against him, which he could use Emilia's death and Roderigo's letter.

Iago could have monologued in the end of the play, yet he was cornered. He had nowhere else to go. He didn't say a word to anyone, because he had nothing else to say. He probably could have came up with some witty remarks and nonchalant phrases to get him out of the situation. He probably could have not stabbed Emilia, and killed her later to hide her death.

Othello was tragic; all the women were killed, besides Bianca who was under arrest. Iago still lingers somewhere, compiling a plan to get out of his predicament. And Cassio is still there taking the fame. So what's next? Does Iago go out for Cassio still?

Othello - Part Quatro

During the first scene of act iv, Iago insinuates about Desdemona's adultery to Othello. Othello falls into epilepsy for two days. Does that mean he has seizures or he has epileptic charcteristics? Why couldn't Othello just have asked Desdemona in the first place, whether or not she had secret affairs with Cassio? Even as a general, his impulsive move was quite childish. He had to choose to listen to either Desdemona's defense, Iago's accusations and to his self intuition. He doubted himself, which was his main flaw. I believe if he married Desdemona for love, then we all of a sudden turn against her. Was it because during this time period, that all women were regarded ruthless individuals, and that no man can trust them? Was it that ideal that influenced Othello's decisions to trust Iago?

It was all because of Iago's words, his own words that manipulated Othello's thoughts. He used Cassio's feelings about Biana to twist Othello's perspective of seeing Cassio talking about Desdemona. That was just a wussy move on Iago's part, but of course, naive Othello fell for it. This scene demoted Othello's status. He was suppose to be this top shot kind of general, yet he cowards in the dark watching Iago and Cassio talk dirt about Bianca.

During this scene, Othello and Iago agreed that if Iago kills Cassio, that Othello must kill Desdemona. Doesn't Othello suggest poisoning his own wife first? Then Iago convinces him to strangle her instead? If Othello really loved his wife, first of all, he wouldn't want to kill her, and second, if he was a supposed "Catholic", wouldn't strangling her be worse case scenario which would automatically place him in purgatory?

As Othello constantly questions Desdemona about her and Cassio, he neglects anything she says. He states that she is the "cunning whore of Venice." This statement seemed harsh and emotionless. He must have really resented her. At this point, for poor Desdemona, I wish she had to chance to runaway. She had done no wrong to her man, yet she faces the worse to come.

If only Roderigo would have gained some courage to ask out Desdemona in the first place, or even to realize how much he has paid Iago without any results, you would think he would realize by now, that he was being played. He was too much of a follower who couldn't decide his own decisions. He needed Iago to tell him what to do, when and how to do it.

When Desdemona asks Emilia about adultery for the world, Emilia says it would counterbalance the offense. I felt this was a scene showing how women can have the same feelings that men can have for wanting others. Yet, I thought this was unnecessary and excessive. It made women seem worse in this society.

Othello - Part Tres

Let's first start talking about Emilia. Even though she is the wife of Iago and friend/Batwoman to Desdemona, she kind of screws things up. Even though she isn't totally a dumb brawn, she is obedient towards Iago. She of course has to play the role of the wife and the woman. She listens to whatever Iago demands from her. I thought it was quite interesting of how Emilia thought things through. Emilia knew how special her "friend's" hankerchief was to her, yet she neglected her "friend" and she listened to her husband's desire to have the hankerchief. Since she may know that Iago suspects her sleeping with Othello, she plays the subordinate role in trying to make him happy by doing whatever he wants and to please him. It's like in any typical relationship; if you upset your significant other by doing something, you do several good deeds/acts in order to lessen the burden of the bad deed/act that you may have done. Yet, I still feel that all these stories are too gender discriminating, because I see it as it's all Emilia's fault. If she would have just left the darn hankerchief on the floor and went upon her own business, then Desdemona would have  ended up ... at what she ends up in. (I don't want to talk about what happens until my next blog.) It's just upsetting, because if she were that smart and witty, she should have stood her ground and left the piece of cloth on the floor, given it right back to Desdemona (if she really was a true friend or good servant) or just have denied Iago in the first place. I want to know whether Iago and Emilia have had more history together, or Desdemona and Emilia. I guess from the story, it's a bit vauge. Maybe it's the fact that Emilia was faced with the dilemma of deciding to pick between her own husband and her own [true/good] friend. Maybe it's because she knows that Iago has the hots for Desdemona, and she is just a sorry sap willing to do whatever to make her man happy and win him back. Iago probably makes Emilia feel guilty for no reason, because he wants Desdemona and he could careless for Emilia. What ever the reason may be, it seems to always be the chick's fault. 


This reminds me about the movie "Splice." It has two biochemists, who both happen to be a happy couple, and of course the woman is the one who causes the problem to begin with. By the end of this movie, I was like "Arg! This is what the media does to make woman look bad, but eh, the movie was interesting enough."


It's super dumb for Othello to automatically listen to Iago's insinuations. He doubts himself, which could be his heroic flaw, yet again, it could be him being so trusting. He trusts everything that Iago says, yet I don't understand why Othello couldn't have just made some "small talk" with Cassio and Desdemona. If he wanted to be so blunt about it, then so be it. He should have not jump so wuick to conclusions without understanding and knowing all the stories. How close is Othello and Iago? What was their past history? Is it because Iago is his servant, and Othello always confides in Iago?


In the beginning, when Othello disembarked from his ship, he kissed Desdemona and showed her his devotion. Where was this love and passion when he heard all these rumors? This shows Othello's weak psyche. Here Othello's mind takes the best of him, where he no longer can trust his own wife. What happen to their love? Was it just sex? Was it because was known as a "good guy" that he could not be found fooling around with the senator's wife before being ever married? Whatever the case may be, Othello revealed his weakness.

Othello - Part Dos

Through this heoric journey, these characters started off safe at home in Venice and had to go out to Cyprus, aka the Wilds. I despise how Iago just criticizes woman to be deceptive, hypocriical and lazy. He blantantly states how women are there to "play and go to bed to work." Grrr. But hey that's me, I hate these kind of stories, because it demeans us women. Iago, a clever wit that he is, right away notices Cassio holdng Desdemona's hand as they speak. Iago thinks three-dimensionally, where he thinks way ahead and he predicts the results, where as all the other characters either think one or two dimensionally. Like Roderigo thinks one dimensionally as he is persitant with giving Iago his money without no good results and Othello thinks two dimensionally where he thinks things through now, and not things in the future. 


Roderigo is a fool, although he may have his riches, he heavily relies on Iago's words. I guess in class, we discussed the fact that maybe Roderigo was an outsider and Iago was the only person to notice him and talk to him. So maybe that could be a reason hy Roderigo is so loyal to Iago. 


The discussion about Othello being gay was qite interesting. I understand John's perspective, but I don't think Iago was really homosexual for Othello. I think Iago was more jealous and bitter towards Othello, that he wanted to get back at him. He wanted his spot so bad, and he was determined to get it. I believe Iago has a thing for Desdemona. Even though Iago thinks that his own wife, Emilia had an affair with Othello, deep down I think Iago wanted some of Desdemona. Even though it could seen as "wife for wife" like "an eye for an eye," but I'm convinced that since Iago keeps pushing back helping out Roderigo get Desdemona, is because he himself has a thing for her as well. This little scenario reminds me about a movie called "There's Something About Mary." with Cameron Diaz and Ben Stiller. There's like all these dudes that want to climb on Mary, which in this case is Desdemona.


Which brings me to another idea, I was just watching something on channel 36 about "Untold Stories" where a good student was secretly being sexually abused by her own coach. Her reason why she never told anyone was because of her naive mind, she thought just because her coach is a higher authoritative figure, that she needs to listen to her coach. Okay, why did I bring this up? It some what reminds me about Roderigo. I see it as Roderigo wanted Desdemona so bad, but he couldn't woo her, so he needed help from Iago. He looks to Iago as a higher figure, and whatever Iago tells him, he must do it, because he is a higher figure and because he wants Desdemona. What made be confused a bit, was how come Roderigo followed Iago's plan? Is he that gullible? Iago convinced him soon enough to pick a fight with Cassio, but why couldn't Roderigo grow some dignity and listen to himself and do things for the better? Here is where Iago is a darn trouble maker. He uses Roderigo's lust for Desdemona to his advantage. When someone is in love with another, that's just wrong and mean to use it against them for your own benefit. 


So now, Cassio ends up drinking and starting a fight with Roderigo and stabbing Monatano. Once Othello came into teh scene, Iago tells Othello what happen, but doesn't tell him teh whole truth. So technically Iago isn't lying, yet he isn't being as truthful. At the time, how come Othello was so trustworthy of Iago's words? How come he couldn't pardon Cassio's actions? It makes Othello look stupid for picking Cassio in the first place. Why make him our right hand man, and take him down for a fight? It shows that he doesn't trust his decisions, and he needs others belief's to influence his own.

Othello - Part Uno.

At first, the story of Othello started off kind of slow for me. I didn’t really jump right to it. But eventually I got the gist of the story. In class, we discussed that Shakespeare never really had an original story. He borrowed ideas and he put his own twist to it. As Shakespeare wrote for the plays and to “fill up” all the seats, he made his stories have some depth to it. It would have been a change of pace to read a comedy instead. But I guess we need to give Othello a shot.

In the beginning, there seems to be so much footnotes and its irritating having to constantly look down and read what the footnote is and go back up. Maybe at the time, I was just not in the mood to read.

So the story starts off in Venice, Italy. Iago seems to take most of the spotlight, even though the play is titled Othello. During the time, in the Christian society, stories needed to spotlight the heroes or the protagonist. It seems without the main supporting role of Iago, and then there would be no story of Iago. From what I’ve read so far, it seems that Iago is the jealous type. Iago wanted to be granted the privilege of being lieutenant, yet Othello gave the position away to Cassio. The way I look at it, Othello is a good-hearted guy, and he wanted to give the position to someone who seemed was eager enough to do the job. Even though he never been in battle, it was a great advantage to Cassio to have such a position. But why was Iago granted as Othello’s “Bat Man?” Couldn’t that job be granted to someone else? How was class a key role in determining status in the society? As it seems, Iago is the ugly Betty that wants the fame and glory. He wants to be heard and seen for great things, yet this Othello guy ruined it. It was funny to know that Iago’s wife, Emilia is the woman “Bat Man” to Othello’s wife, Desdemona. Why couldn’t they be treated with the same respect and loyalty as Othello and Desdemona? Well I didn’t catch that in the story.

To know that Desdemona married Othello only for his war stories is a weird. I guess I can see it as her loving how manly he is for fighting and having other manly characteristics, but Shakespeare demeans the woman by just having her love him for that. But why should we care, her feelings for Othello may be indescribable, so that’s the best way he could put it for the audience. Why didn’t Desdemona tell her father that she was falling in love with Othello to begin with? What was she trying to hide? Was it looked down upon? Were they doing the nasty beforehand, so she felt obliged to marry him? We may never know.

It was a cheap shot for Iago to go whining to Desdemona’s father, Brabanzio. Iago seems like a total moocher. He takes all the money from Roderigo and lying to everyone. He likes to be the trouble maker. Shakespeare may have created Iago as one of the main characters, because Shakespeare may have believed at the time that the audience knows someone who has similar characteristics to Iago.

Iago’s intentions resemble some characteristics of people I know. He likes to manipulate and twist the stories. He does this out of boredom and jealousy. He’s a racist by calling Othello a Moor. Iago hates that fact that an “outsider” is in charge. Iago uses cognitive schemas that make limits his perspective. He sees things in a two-dimensional manner, because he plans to do the worse and get his revenge.

Okay, I hit past word count.

The Ending of the 13th Warrior

The movie starts with the moment Ahmed and the blonde-haired woman are laying down in the hay. She was there only as a relief, it was nice to hear how Ahmed showed his conservative side, “A gentlemen does not say his business about a woman.” The warriors seek guidance from the oracle, which tells the warriors that they must kill the leader than the Wendols will go away. As the remaining warriors gallop away to find the Wendols, they find themselves puzzled about where to find these creatures. Ahmed revealed his intellect by having the moment of realization. He knew that the Wendols wore the bearskin as a camouflage. If they wear the bearskin, then where do bears sleep in the winter? A cave!

The moment the warriors find the cave, this scene resembles when Beowulf had to go beneath the waters to find Grendol’s mother’s lair. The warriors slyly make their way inside the deep, dark cave. When they reach a group of Wendols without their bearskins, one of the warriors demands Buliwyf to kill the leader. He enters a scary lair of beheaded heads floating on vines, and he finds the evil mother. She kind of looks like Calypso from Pirates of the Caribbean, but she also reminds me of Helena Bonham Carter as Bellatrix LeStrange in Harry Potter. Buliwyf uses his mighty sword to slay her head; it was an epic moment which only lasted for a couple seconds. But he was stabbed with poison from a snake. So his arm is slowly, but surely causing him to die.

As the warriors were trying to find an escape, I thought the movie was about to end, since it seemed like there was nowhere else to go. But thankfully, with Ahmed they find an underwater tunnel to the outside of the cave.

Here is when the warriors were relieved, yet again, the fog was coming. The fight was about to begin, and Ahmed threw his armor and sword on the ground, kneeled and prayed Allah for guidance and support to make his last remaining time on the Earth memorable. Buliwyf knew he was dying and he did not want to just sit in the back and watch his warriors (Comitatus) die. He limped his way to the fort and he stood there waiting for the Wendols to attack. This scene was similar to when Beowulf had to fight the dragon in order to save his kingdom.  All the warriors were determined to save the village and finally the Wendol’s leader comes out to lash out at Buliwyf. Buliwyf takes him down and the Wendols are called away from a horn. As Buliwyf sits amongst the fort, he dies staring into the wildness. He has died with honor. Hrothgar stated that he would be buried like a king, since Buliwyf said all he has is his hands which make him a pauper. Restoration is now stored, and Ahmed leaves the Norseman. The fight is over and he accomplished his duty to serve as the 13^th Warrior.